[ 報應 ]

[ 報應 ]  //  羅永昌的《報應》,驟眼看來,竟然有韋家輝的風格,在探討「因果」及「救贖」等主題,和韋的《大隻佬》及《神探》有異曲同工之妙。「一念天堂,用之救贖,用之殺戮」關係微妙,世界上沒有絕對的好人和壞人,只要沒有完全埋沒了善心,過錯還是可以彌補的。

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